Robert De Niro |
Okay, so things were getting a little sketchy for Martin Scorsese in the late '70s and very early '80s. He'd already released Mean Streets and Alice Doesn't Live Here Anymore and Taxi Driver—all hits—but followed them up with the giant bomb that was New York, New York. And he didn't take the failure very well. He spiraled into a vicious depression, a state of mind that wasn't helped by his already insanely high levels of cocaine use—like so high (excuse the pun), that when he ran out of blow at Cannes once, he chartered a plane to have more flown in from Paris. Another time, he over-dosed so badly that he arrived at the hospital with blood pouring from his eyes. His family fell apart. His career was a mess. His whole life was on the skids.
But then his friends stepped in to save him. First it was Robert De Niro, at his bedside in the hospital convincing him to kick coke and make Raging Bull. Scorsese threw himself into the film as if it was going to be the last movie he ever made—and he came out the other side with a masterpiece. Then, in the wake of that triumph, Roger Ebert and Gene Siskel arranged a tribute to Scorsese's films at the 1982 edition of the Festival of Festivals—the fledgling Toronto event which would soon be renamed the Toronto International Film Festival.
It was a big deal. The festival was only a few years old, but it was already attracting the biggest names in the business. Two years earlier they'd held a similar tribute to honour Jean-Luc Godard and it had been a smashing success; Scorsese's would be no different. He was hailed as an artist and surrounded by the friends who'd come to support him—including De Niro, Harvey Keitel and Robert Duvall. Scorsese still credits the tribute as a turning point in his recovery.
But really, that whole story is just a way for me to get to tell you the bit you've been waiting for since you saw the title of this piece: To celebrate their director's new, sober success, De Niro and Keitel hit the town. According to Toronto Life, they ended up at an after-hours club "snort[ing] more coke than Tony Montana on a tear." High and horny, Robert De Niro got a film festival staffer to guard the bathroom door. Then he and "a new female friend" slipped inside to fuck.
Awesome.
Awesome.
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It was the Toronto Life article on the festival's most memorable moments that tipped me of to this, which you can read here. Oh and as a weird bonus, I should mention that at the same festival exactly 19 years later, Harvey Keitel would meet and fall in love with his second wife. On September 11, 2001. Which just so happens to be where I was that day, too, stumbling out of a morning screen at the Uptown Theatre to discover the world had gone all crazy.
I should say that I am a little (if more) whacked by charlie right now! In the UK we call coke 'charlie' I have work in 5 hours time Oh well!
ReplyDeleteI googled a couple of key words having done a De Niro revisited dvd session and got your blog.
Have you read 'East Riders, Raging Bulls' - Insane!!
Some of Scorsese's movies are flawed in the finale. Take 'Taxi Driver'. IT should have ended with the blood splattered Travis putting his hand as a gun to his head. Instead, Scorsese has to partonise the American audience by insisting they need a hero at the end (making off with Cybil Shepard) A similar flaw occurs with 'Shutter Island'. It should be left to the imagination whether DeCaprio's character is insane or not.
Good commentry by you my man. Scorsese is a genius nevertheless. AS for coke.. It aint good to do. As Robin Williams once said, you spend all night doing it and then wake up grateful to be alive the next day! What a waste of time and money. Is coke big in Canada? I can imagine weed is more suitable for the laid back nation (I love Trailor Park Boys!!)
Cheerio!!